Irreversible Entanglements Live at Jazzwoche Burghausen 2026
Irreversible Entanglements
Camae Ayewa (Moor Mother), voc, MC
Keir Neuringer, sax
Aquiles Navarro, tp
Luke Stewart, b
Hamid Drake, dr
Irreversible Entanglements is a band that carries the liberating technologies of jazz and all related Black music – from its roots to its most recent offshoots – into the future.
Famoudou Don Moye “Diaspora Express”
Creation
Famoudou Don Moye “Diaspora Express”
Famoudou Don Moye • drums, percussion, artistic direction;
Lamine Sow • percussion ;
Dudù Kouaté • percussion;
Doussou Touré • percussion;
Simon Sieger • tuba, trombone, arrangements;
Aquiles Navarro • trumpet;
Christophe Leloil • trumpet;
Sébastien Llado • trombone
A living legend and historical figure of the Art Ensemble of Chicago, which he has continually enriched with his research on Afro-Caribbean music, Famoudou Don Moye is a regular at the festival. For this exclusive creation, the American drummer brings together an ensemble of percussion and brass instruments and embarks on a journey through traditional African music, as he has experienced it throughout his life during numerous stays in Morocco, Liberia, Guinea, and Senegal, as well as as it is passed down by the diasporas. A tireless ambassador of this music, Famoudou Don Moye now divides his time between workshops he offers to musicians, his personal research, his garden in Marseille, and concerts that are as rare as they are unmissable.
TIME TRAVEL HEAR TODAY - Artist Residency, workshop and concerts
Moor Mother & Guests
ensemble mosaik
Date:
Fri 09.01.2026 8:30 PM - 10:30 PM
Location:
Neue Nationalgalerie
Offer:
Theatre performance | Concert | Dance | Performance / Adults
TIME TRAVEL HEAR TODAY
Moor Mother & Guests
ensemble mosaik
A project by Tilman Hecker
For four January nights, parts of the Neue Nationalgalerie’s glass hall will turn into an interactive concert-installation and become a stage for poet, activist, and musician Moor Mother. Her practice, influenced by experimental hip-hop free jazz and archival exploration, will meet one of Berlin’s premiere institutions of contemporary classical musik, the ensemble mosaik. Their exchange will be supported by a series of virtuosic solo instrumentalists, thinkers, and members of the audience. Together, all will engage in musical and philosophical time travel and explore alternative ways of temporal thinking.
The conceptual dialogue with the simultaneously exhibited video installation The Clock by the Swiss artist Christian Marclay is welcome, but not essential.
The four consecutive evenings each offer a unique combination of composed and improvised music, lectures, performances, workshops, and interactive elements. As each night is different, repeat visits are strongly encouraged.
TIME TRAVEL HEAR TODAY is supported by the Hauptstadtkulturfond.
Composition, Text & Artistic Direction: Moor Mother aka Camae Ayewa
Idea, Concept & Setup: Tilman Hecker
Curator & Dramaturgy: Gregor Quack (Volkswagen Group Fellow, FREUNDE der Nationalgalerie e.V.)
Sound Direction: Jakob Wundrack
Lighting Design: Scott Bolman
Production Management: Wiebke Wesselmann (Y Music)
Management, ensemble mosaik: Christina Gießmann
Artistic Direction, ensemble mosaik: Niklas Seidl
Guests:
Moor Mother (vocals, percussion, electronics)
Alya Al-Sultani (soprano)
Dudù Kouate (percussion)
Aquiles Navarro (wind instruments, percussion, electronics)
Simon Sieger (keyboard, flutes, vocals)
ensemble mosaik:
Kristjana Helgadottir (flute)
Chatschatur Kanajan (violin)
Karen Lorenz (viola)
Martin Losert (saxophone)
Mathis Mayr (cello)
Roland Neffe (percussion)
Sarah Saviet (violin)
Niklas Seidl (cello)
Simon Strasser (oboe)
Ernst Surberg (piano)
Admission workshops here
Tickets here
DJ Haram & Aquiles Navarro
A genre-defying force in the world of rap and electronic music, producer DJ Haram is equally celebrated for her bass and club music heavy DJ sets, detail oriented analogue sound design, electronic-folk Middle Eastern production and abrasive rap collaborations. Her solo debut album Beside Myself features established collaborators such as Moor Mother or Armand Hammer, and Aquiles Navarro who will also join her on stage at Le Guess Who? 2025. Eclectic trumpeter, composer, and founding member of Irreversible Entanglements, Navarro derives his sounds from folkloric music, salsa, reggae and everything that was on air during his upbringing in Panama.
Aquiles Navarro & Luke Stewart w/MOVE in Barcelona
Aquiles Navarro & Luke Stewart perform with MOVE in Barcelona.
More info on this soon.
New Music Circle presents Irreversible Entanglements
New Music Circle presents Irreversible Entanglements
Sun, Sep 7, 2025
Concert 7–8pm
Doors open at 6pm
Location: Museum
In collaboration with New Music Circle, the Pulitzer presents an evening of music featuring Irreversible Entanglements, a virtuosic free jazz quintet featuring voice, drums, trumpet, saxophone, and bass. Known for their dynamic live performances, the group has been lauded by NPR Music, The Wire, and more, and has performed at leading venues and festivals around the world.
To purchase tickets, visit New Music Circle. Please contact our team if you require any accommodations to participate.
DJ Hybrid Solo performance at Garage Noord, Amsterdam.
FUUTUREJAZZ presents:
NU-KILLA WORLD ORCHESTRA
GLOBAL ASPIRATIONS
LOCAL DISTORTION
@garagenoord @afk020
Bar40:
YUNIS @yunismusic__
Ninety Nine Eyes live performance
AQUILES NAVARRO @aquilespty
on trumpet + decks.
ZARINA @karinazharmu
true real set
ELDON @eldonsomers
decks + flute.
FUUTUREJAZZ @honey_jazzzz @___gresa @dr_booooo @kristofwest
USB Quartet
Upstairs balcony:
Room for expressive instruments + quiet offerings. We invite the audience to perform. Bring something with you (that doesnt require power supply).
Tickets €10 early bird / €15 at door
low income send us DM!
Artwork by jo flm
DJ set - Hoxton Hotel. TOPE rooftop. Brussels, Belgium.
DJ set at TOPE. brussels rooftop club at the Hoxton hotel.
18.00 - 21.00
free entry
Farida Amadou: Kaleidoscope Ensemble. Live from Bimhuis
Farida Amadou: Kaleidoscope Ensemble
Sonic adventurer from Brussels breaks boundaries with her first large ensemble.
In the BIMHUIS Productions series REFLEX we invite musicians to reflect on the world and society. Farida Amadou took the opportunity to form her first large ensemble.
In Kaleidoscope Ensemble, befriended musicians improvise around West African rhythms and melodies. Each of them will bring in their own background and exceptional musical skills. The necessity of breaking frontiers is the main political statement behind this ensemble.
Brussels-based Farida Amadou is a remarkable new player in the international improvised music world. As a self-taught player she uses the electric bass as a point of departure for exciting and often relentless sonic explorations. She has previously collaborated with the likes of Ken Vandermark, Thurston Moore and Wolf Eyes. The members of Kaleidoscope Ensemble are known from, among others, Irreversible Entanglements, Hues and Dave Douglas Quintet.
Farida Amadou bass guitar/electronics/voice, Marta Warelis synthesizer, Lotte Anker reeds, Aquiles Navarro trumpet, Lukas Koenig drums/amplified cymbal, Lukas Akintaya drums
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BEACHES BREW PARADE
Wednesday 11 June
from 5pm, FREE ENTRY
Parco Marittimo Marina di Ravenna
WHAT IS THE BEACHES BREW PARADE?
Beaches Brew Parade is a festive marching caravan that starts right from the Marina Di Ravenna signpost along Viale Delle Nazioni, to plunge into the pine forest and continue through the natural sand dunes enhanced by the newborn Park trail.
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DJ set at Beaches Brew Festival. Marina di Ravenna.
Aquiles Navarro
Aquiles Navarro, a Canadian-born trumpeter of Panamanian descent, is a vibrant musical force whose artistry transcends boundaries, blending avant-garde jazz, modalism, Latin traditions, and electronic production. Renowned for his fearless improvisations and innovative compositions, Navarro has left an indelible mark on the contemporary music scene.
Aquiles Navarro, a luminary in the realm of contemporary jazz, is not only a virtuoso trumpeter but also a visionary leader dedicated to fostering artistic innovation and cultural exchange. His boundless creativity and entrepreneurial spirit have propelled him to the forefront of the global music scene, leaving an indelible mark on stages worldwide.
As a pivotal member of the avant-garde ensemble Irreversible Entanglements, Navarro has graced iconic venues from the Sydney Opera House and the Berlin Jazz Festival to intimate DIY spaces in New York City and beyond. With his electrifying performances and fearless improvisations, he has captivated audiences with the ensemble’s bold fusion of jazz, spoken word, and social commentary, transcending geographical and cultural boundaries.
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Musik Installationen Nuremberg with Moor Mother.
Moor Mother, also known as Camae Ayewa, turns the foyer at the Kunstverein into a polyphonic and dynamic space filled with instruments, voices, words, and images. The room becomes full of energy, blending music and space into a mix of sounds and ideas. It’s a conversation across generations, a shared memory, and a reflection on time—both what we can see and what is hidden, from the past and the future. Music plays a key role in telling the story of history, especially the connection between colonialism and freedom, social justice, and the problems of capitalism, creating a new vision for the future.
Through Black Quantum Futurism, Moor Mother aka Camae Ayewa’s art is not only a vision for what’s to come but also a way to honor the present and its links to different pasts and possible futures. Ayewa works with both real ideas and imaginative, historical concepts, creating music and soundscapes using field recordings and sound collages from archives to make “sonic maps” that help us explore forgotten histories and futures. As an artist, she uses writing, music, film, visual art, and socially engaged projects to understand and change personal, cultural, and community experiences. She works to transform traditional ideas of time into new, empowering ways of thinking. Through her work, she hopes to inspire people to take action against ongoing struggles for land, housing, and health in black communities.
Address
Kressengartenstraße 2
90402 Nürnberg
▶Map View
Opening Hours
SA 24.5. 22—1 h
SO 25.5. 18—21 hParticipants
Simon Sieger
Alya Al-Sultani
Jon-Carlos Evans
Mohamadou Kouate
Dramaturgy
Marie-Therese Bruglacher
Accessibility
Barrier-free toilet
Aquiles Navarro - DJ set, Listening session @ Kasheme. Zurich, Switzerland.
Aquiles Navarro - DJ set, Listening session @ Kashemes’ Living room.
More info at: https://kasheme.com/
Art Ensemble of Chicago
Wed, 14 May 2025 20:00
Elbphilharmonie Großer Saal
Art Ensemble of Chicago
»Great Black Music – Ancient to the Future« – Hamburg International Music Festival
The Art Ensemble of Chicago enjoys legendary status: founded in 1967 in the city that gave it its name, the band moved to Paris shortly afterwards. From there, it launched its global career with »Great Black Music« – a unique type of avant-garde jazz that incorporates African, but also Asian and Latin American traditions. In its sixth decade of existence, two old masters of the first generation are still with the band: saxophonist Roscoe Mitchell and drummer Famoudou Don Moye.
Due to health reasons Roscoe Mitchell currently cannot travel to Europe. The line-up will now be completed by James Brandon Lewis and Aquiles Navarro.
With fantastic younger musicians added to the line-up, the collective creates its usually unusual homage to its founding members, staying true to its roots and yet always with its finger on the pulse. »From Ancient to the Future« was the band’s motto right from the start and it speaks volumes about their musical positioning – not only in contemporary jazz, but when it comes to old musical traditions and new music as well.
The album »The Sixth Decade – from Paris to Paris« was recorded in 2020 at the Parisian festival »Sons d’Hiver«, thus also paying homage to the place where it all began. The Guardian writes about the interplay between the old and new guard: » It’s heartwarming to hear the Art Ensemble of Chicago’s devoted heirs so ready to carry the story on.«
Performers
Art Ensemble of Chicago
Famoudou Don Moye drums, congas, percussion, vocal
Aquiles Navarro trumpet, congas
James Brandon Lewis tenor saxophone
Simon Sieger piano, organ, trombone, tuba, vocal, percussion
Yuniya Edi Kwon violin, vocal, percussion
Junius Paul double bass, electric bass, vocal, percussion, electronics
Dudu Kouaté djembè, congas, percussion, flute, vocal
Aquiles Navarro Presents: BRUZZ radio monthly show.
MAANDELIJKS OP ZONDAGAVOND
Step into an hour of rhythmic beats and vibrant melodies as Aquiles Navarro takes you on a musical journey through the sounds of América Latina, jazz, NYC, Panamá, el Caribe, salsa, and beyond. With every track, Aquiles shares the essence of his musical journey — from his travels around the world with diverse creative projects. such as his band Irreversible Entanglements, Heritage of the Invisible DUO, U N I V E R S O T R O P I C A L SOLO project and others.
As the founder of the Panamanian label River Down Records, this show also highlights exclusive sounds from the label’s catalog and upcoming releases, offering a window into the freshest and most innovative music coming out of Panamá. Broadcasting live on Bruzz Radio, this is a celebration of rhythm, culture, and connection. Get ready, Brussels — and to everyone tuning in, thank you for joining us. Enjoy the ride!
Sound (Dis)obedience. Duo with Farida Amadou + Workshops
27.3. - 29.3.2025
(Ne)poslušno / Sound (Dis)obedience 2025
Sound (Dis)obedience 2025
27.-39. 3. 2025, Španski borci, Ljubljana
Thursday 27. 3. 2025
. Simon Klavžar, Jože Bogolin, Špela Mastnak, Luka Poljanec, Jan Čibej, Kristijan Kmet performing Timber by Michael Gordon
. Jazia: Salwa Jaradat, Cham Saloum, Ali Al-Hout
Friday 28. 3. 2025
. Marmalsana: Burkhard Beins, Tony Elieh, Maurice Louca
. Danielle Roccato
. Farida Amadou, Aquiles Navarro
Saturday 29. 3. 2025
. concert with workshop participants
. Vesna Pisarović, Tony Buck, Noël Akchoté
. Thuluth: Magda Mayas, Ute Wassermann, Raed Yassin
Workshop with Farida Amadou and Aquiles Navarro.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Here we are again, without knowing exactly where we're going. But we know why.
Because sound moves us, provokes us, and brings us together.
Sound (Dis)obedience is a festival of listening. And of what happens when you listen to something unexpected. Music that resists singularity and resonates on the edges of oceans (as Primož Čučnik puts it in one of his poems).
A team of percussionists, led by Simon Klavžar, will set wood in motion with Timber by Michael Gordon. Jazia — a trio featuring Salwa Jaradat, Cham Saloum, and Ali Al-Hout — will explore Palestinian tradition. Burkhard Beins, Tony Elieh, and Maurice Louca (Marmalsana) will stretch nerves with an acoustic dialogue between drums, bass, and guitar. Italian double bassist Daniele Roccato will use microtonal nuances and spectral resonances — harmonics, polyphony, and various preparations — to show how an instrument can sound like a voice that breathes, whispers, screams, and tells stories. Belgian-Nigerian bassist Farida Amadou and Panamanian-American trumpeter Aquiles Navarro will, through repetitions and dynamic, unexpected shifts, become a striking resonator — hissing explosions dissolving into subtle rustles. The trio of Vesna Pisarović, Tony Buck, and Noël Akchoté will deconstruct, reinterpret, and reconstruct songs, questioning what a composition even is. In addition to performances by workshop participants, the ensemble Thuluth — Magda Mayas, Ute Wassermann, and Raed Yassin — will explore tensions between silence and chaos, between acoustic sensitivity and electronic intensity.
Sound (Dis)obedience brings questions, vibrations, movements, tension — a space for surprise, discovery, and connection. Come. Listen. Or don’t.
Tomaž Grom, artistic director
Or, to put it another way:
Sound (Dis)obedience is the best festival in the world. As always, this year we expect: the most virtuosic and exciting performers, global stars who play in the world’s most prestigious venues, some of the finest musicians alive (or even, arguably, dead), and composers whose works dominate the grandest stages. They are, simply put, victorious in every sense. Oh, and let’s not forget: the most esteemed, top-tier, cutting-edge, legendary, masterful, magnificent, and exceptional artists.
In short, Sound (Dis)obedience will take you on an unforgettable musical journey that you absolutely cannot miss. Hahaha.
Sound (Dis)obedience is co-financed by the Ministry of Culture of the Republic of Slovenia and Municipality of Ljubljana.
Sound (Dis)obedience is engaged in staging, development, reflection and dissemination of research practices in music and sound. An assembly of diverse events, meetings, presentations of publishing activities, the implementation of international networks and discussions behind the bar multifacetedly address this diverse creative field. Sound (Dis)obedience brings together guest musicians, interested local artists, audiences and the professional public. As such, it is not only a festival of certain music, but also and above all an realization of openness, cooperation and flexibility.
Sound (Dis)obedience is a space for exchange, where by way of concerts, workshops, lectures, and other forms, different border-line musical practices can interact with each other.
Aquiles Navarro - Solo Live @ Museo Vicenzo Vela.
Domenica 23 marzo
Ore 17:30
Museo Vincenzo Vela
Ligornetto
Pre-festival
Aquiles Navarro
"Solo Live"
Trombettista e compositore di origine panamense, porta con sé un bagaglio eclettico fatto di salsa, reggae e folklore. Oltre a far parte del collettivo free jazz di liberazione Irreversible Entanglements, si esibisce in solo improvvisando un amalgama di influenze in un vocabolario sonoro unificato acustico ed elettronico.
Al Museo Vela "attiverà" il giardino sonoro dell'artista Ishita Chakraborty, ospite con un’installazione temporanea.
Entrata CHF 8.-, ingresso gratuito fino ai 16 anni.
aquilesnavarro.com
museo-vela.ch
museidartemendrisiotto.ch
Del Slabón Live from Sounds Brussels.
SOORS HONINGS DUO Jeroen Soors : Oboe Cedric Honings : Classical Guitar DEL SABLON Ana Fernández Pérez - Voice, Rhythm guitar Luca Isolani - Guitar, Backing Vocals Jelle Vandooren - Percussion Grégoire Bayard - Bass Special guest: Aquiles Navarro - Trumpet
On the 19th of March Sounds is going to host a double bill organised by the Koninklijk Conservatorium Brussel! Here the agenda: . h20 | HONINGS DUO A truly unique pairing, oboist Jeroen Soors and guitarist Cedric Honings bring together two instruments rarely heard side by side, creating an intimate yet powerful soundscape. . Jeroen Soors, principal oboist of the Netherlands Philharmonic Orchestra, has performed across Europe, Asia, and South America in prestigious venues such as the Concertgebouw Amsterdam and the Dutch National Opera. Trained in Antwerp, Karlsruhe, and Paris, he has played with top orchestras, including the Residentie Orkest and the Radio Kamer Filharmonie. Since 2017, he has also been a professor at the Royal Conservatoire in The Hague. . Cedric Honings, a rising star of the classical guitar, has won numerous competitions, including the Princess Christina Competition and the Brussels International Guitar Festival. A graduate of the Royal Conservatory of Brussels, he has performed across Europe and the U.S., collaborating with orchestras such as SymphoniaASSAI and La Passione. His sold-out performance at BOZAR was hailed as a milestone in his promising career. Together, Soors and Honings merge their distinct musical worlds, offering audiences a fresh and unexpected concert experience. . h20.45 | DEL SABLON From the heart of Brussels, Del Sablon brings a vibrant mix of cultures and styles, creating an intimate yet energetic musical experience. The group is composed of Mexican singer-songwriter Ana Ferper, Italian guitarist Luca Isolani, Belgian percussionist Jelle Vandooren, and French bass player Grégoire Bayard. Drawing from their diverse artistic backgrounds, they come together to celebrate the multicultural essence of modern society. . After performing extensively across Belgium, France, and Italy, Del Sablon released their debut EP, NIÑO, in collaboration with the Italian label Mr. Few. The album, preceded by the single El Desierto, blends contemporary cumbia, huapango, and ranchera rhythms with a fresh and modern sound. . The themes addressed in the album tell, literally and metaphorically, about stories of contemporary society: the hope of young refugees; the levity of a glass of wine with friends; the relevance of family ties in times of wars and pandemics; the feminism; the warmth of love songs. . The title track, Niño, is a tribute to children—their unfiltered view of the world, their intelligence, and their freedom from prejudice. It highlights their right to happiness in a world that too often leaves them stranded at sea or behind barbed wire. . For this special event, Del Sablon will be joined on stage by Aquiles Navarro, the Canadian-Panamanian trumpet player from Irreversible Entanglements.
Irreversible Entanglements Live @ Onassis Foundation
STEGI.RADIO is taking over the Onassis Stegi for the second year running, turning Takeover into an established event. For three days, across three stages, STEGI.RADIO puts its diverse tastes on full display, transforming Stegi into a kaleidoscopic musical playground. With sets from local and international talents alike, packed with unpredictable surprises, Stegi.Radio returns with a celebration of the diverse mosaic of contemporary sound through a multifaceted curation of selections from the entire gamut of the worldwide electronic scene.
Among the standout performers of Takeover 2025 are Kittin, who is visiting Athens after her sweeping performance at the closing ceremony of the Paris Olympics; the living legend of Detroit and one-third of the Underground Resistance, Robert Hood; the "beast of Rotterdam" with his inexhaustible range of acid, techno, electro, and italo, David Vunk; the experimental free jazz group Irreversible Entanglements, led by Moor Mother; and the up-and-coming Athenian avant pop singer-songwriter Vassilina.
Stay tuned as the full lineup will be revealed gradually.
IRREVERSIBLE ENTANGLEMENTS Live @ Sons de Hiver. Paris, France.
IRREVERSIBLE ENTANGLEMENTS réimagine Don Cherry’s Organic Music Society
Si Irreversible Entanglements partage avec le Don Cherry des années 70 un sens de la communauté, du collectif et de la spiritualité, le quintet emmené par Moor Mother est davantage mu par une colère et une brûlante lucidité que l’époque semble exiger. Que restera-t-il du psychédélisme planant et des ragas entêtants d’Organic Music Society, album mythique publié par Don Cherry en 1972, revisité par Irreversible Entanglements ? Quelles pistes vont emprunter les enfants terribles du free américain pour réinventer ces compositions signées Terry Riley, Pharoah Sanders, Dollar Brand ou Don Cherry ? En d’autres termes, que reste-t-il des utopies d’hier ?
ENGLISH VERSION : Moor Mother’s group Irreversible Entanglements shares a sense of community and collective spirituality with Don Cherry’s artistry in the 1970s. However, half a century later, this quintet is also driven by a rage and burning lucidity that our times seem to require. When Irreversible Entanglements revisits the legendary 1972 Don Cherry album Organic Music Society, it’s open to question how much of its dreamy psychedelicism and dizzying ragas they will preserve. As the enfants terribles of today’s free jazz scene in the US, they are bound to blaze new trails even as they reinvent compositions signed by Terry Riley, Pharoah Sanders, Dollar Brand, and Don Cherry. Have the utopias of yesteryear disappeared completely?
Irreversible Entanglements Live @ Saulnieres. SuperForma.
Superforma fête ses 10 ans !
Pour célébrer une décennie de musique, de culture et de partage, Superforma vous invite à un programme d’événements exceptionnels ! De concerts inédits, en passant par des ateliers et des rencontres avec des artistes, ces festivités s’adressent aux mélomanes, aux curieux·ses, aux passionné·es de la scène locale, aux ami·es de longue date et celleux que nous venons de rencontrer...
Pendant plusieurs jours, plongez dans l’univers riche et vibrant de Superforma, qui met en avant depuis 10 ans la diversité musicale et culturelle au Mans et dans la région. Restez connecté·es pour suivre tous les détails de cette programmation anniversaire, et venez célébrer avec nous !
Irreversible Entanglements Live @ Antipode
Ouverture des portes : 20h00
Début des concerts : 20h30
Antipode - Le Club
Placement libre debout
Tarif - Pass Sortir !* : 5€
Tarif - Abonné·e offre Admit* : 12€
Tarif - Prévente : 15€
Tarif - Sur place : 18€
Irreversible Entanglements - États-Unis - Free-jazz
Irreversible Entanglements est un collectif de free jazz composé de la poétesse et MC Camae Ayewa (alias Moor Mother), le saxophoniste Keir Neuringer, le trompettiste Aquiles Navarro, le bassiste Luke Steward et le batteur Tcheser Holmes. Le groupe sort son premier album éponyme en 2017 et a ensuite parcouru le monde, collaborant avec des artistes renommés. Son dernier album, Protect Your Light sorti en juillet 2023 sous le prestigieux label Impulse!, infuse toujours une énergie afro-futuriste, rythmé par les prêches de Moor Mother. Cette interprète est une défenseure du Black Quantum Futurism, utilisant l'art, la musique et la performance pour revisiter la réalité sous une perspective noire.
Irreversible Entanglements Live @ Sala Villanos. Madrid.
¡Prepárate para un concierto épico! Por primera vez en España, dentro del ciclo Summum Concert Series, llega Irreversible Entanglements, una banda que fusiona el jazz y la música afroamericana con un enfoque revolucionario. Formados por amistades profundas y un compromiso activista, su música se convierte en una celebración de la vida y la cultura negra.
Este quinteto, originario de Filadelfia, Nueva York y DC, cuenta con la poeta Camae Ayewa(Moor Mother), el virtuoso bajista Luke Stewart, el saxofonista experimental Keir Neuringer, y el enérgico dúo de Aquiles Navarro en trompeta y Tcheser Holmes en batería. Desde su aclamado debut en 2017, han cautivado al público en festivales y salas de renombre internacional, dejando una huella imborrable con su energía improvisatoria y su mensaje socio-político.
Irreversible Entanglements no solo honra la tradición, sino que redefine el jazz contemporáneo con una propuesta sonora audaz, con álbumes como Who Sent You? y Open The Gates.
¡No te lo pierdas! El 21 de enero en Sala Villanos. Este concierto promete ser inolvidable.
Irreversible Entanglements Live @ El Molino. Barcelona.
Irreversible Entanglements in concert in Barcelona – January 19
Irreversible Entanglements is a band that fuses jazz and black music with a revolutionary and provocative vision. Originally from Philadelphia, New York and Washington DC, her music transcends the boundaries of traditional genres to bring a forceful social critique that vindicates the cultural legacy of the black community. With powerful lyrics and rhythms that oscillate between free jazz and the avant-garde, the group offers a sound experience that stirs consciences and invites reflection.
The group is made up of five musicians of great recognition and experience in the experimental music scene. Camae Ayewa, known artistically as Moor Mother, is an Afrofuturist poet and activist who brings an intense political message to her performances. Luke Stewart, a bass player of unmistakable intensity, adds a deep foundation that draws the listener into the rebelliousness of his compositions. Keir Neuringer, saxophonist with a strongly political tone and avant-garde technique, defies jazz conventions with powerful and dynamic solos. Aquiles Navarro (trumpet) and Tcheser Holmes (drums) complete the group, an explosive duo that combines jazz, Latin and Afro-Caribbean influences, bringing a rhythmic energy that propels their music to new dimensions.
After the success of their debut album Irreversible Entanglements (2017), the band consolidated with Who Sent You? (2020) and Open The Gates (2021), critically acclaimed albums. These works, co-edited by the International Anthem and Don Giovanni labels, have demonstrated the group's ability to innovate and challenge musical conventions, becoming a reference within the avant-garde jazz scene.
Irreversible Entanglements is coming to Molino next January 19 to offer a concert where art and activism merge in a unique and transformative experience.
TICKETS
IRREVERSIBLE ENTANGLEMENTS LIVE @ BIMHUIS. AMSTERDAM
IRREVERSIBLE ENTANGLEMENTS
Free jazz band who cultivate “the liberation technologies of jazz and associated Black music—root, stem, and branch—into the future.”
The five-piece band Irreversible Entanglements emerged organically, out of deep friendships, mutual admiration, and a shared activist concern. International in scope yet indebted to, influenced by, and committed to their specific communities, the band pulls zero punches and reserves no energy in intrepid live sets that proclaim revolutionary love for the people.
The Philadelphia, New York, and DC-based band is made up of five individuals whose uncompromising artistic visions have received wide acclaim: ‘Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game’ (Alex Smith).
Camae Ayewa vocals/electronics, Keir Neuringer saxophone, Aquiles Navarro trumpet, Luke Stewart double bass, Tcheser Holmes drums